Have You Been Watching...? Damsel (2024)

 

Mille Bobby Brown (aka Elle “Eleven” from Stranger Things) is a great actor. I loved her in Stranger Things, I love the Enola Holmes movies and she is a great role model for young women. She is in control of her career and executive produces movies she appears in, including this one, Damsel.

The movie is a Netflix production and is a subversive retelling of the traditional damsel in distress trope. In this case, our Damsel, Elodie, is the daughter of the lord of the unnamed country they reside in. The weather is cold, the population are freezing, food is scarce and they must do something to help their people. The answer?: marry Elodie off to the handsome prince of another, richer, country. Elodie reluctantly agrees, and the family head off to meet her would-be suitor with younger sister and step-mother in tow.

Unbeknownst to Elodie and her family, the Royal Family of Well-To-Do-Land “Aurea” have a secret, and it means danger for Elodie. Owing to pact made with a dragon generations before, Elodie finds herself fighting for her life in a labyrinthine network of caves, stalked at every turn by a molten lava-breathing dragon.

Being a Millie Bobby Brown movie, our heroine is a fierce, strong and independent woman who doesn’t need to rely on any man to keep her safe. This is a quality Prince Rich-Boy and his folks hadn’t counted on. There are some nice twists on the usual fairy-tale/fantasy tropes as the story progresses. Elodie, it transpires, is not the only one being lied to, and the step-mother plays against type by being not only genuinely lovely, but kind and caring.

The special effects are great, the Dragon is beautifully realised with a design that makes it really stand out. There are a number of well realised set-pieces utilising CGI, but it becomes wearisome the more we see it. The music for the movie is from renowned composer Hans Zimmer, and his style is ever present, which is a good thing. Casting is also great. Brown is her usual self in Elodie, Ray Winstone plays against type as a weak Lord, Angela Bassett is just lovely as the Step-mother (although the constant referring to her as “Step-mother” diminishes her role). Our dragon is voiced by Shohreh Aghdashloo, and American-Iranian actress, known widely as Chrisjen Avasarala on The Expanse TV series. She imbues the character with a creepiness and compassion which adds so much to what could have been a by-the-numbers role. Love, Simon actor Nick Robinson plays Prince Henry of Aurea and is woefully underused, but this isn’t his story so its understandable. House of Cards star Robin Wright plays Henry’s mother Queen Isabelle, and if this movie was a panto, you’d “boo” every time she appears. She’s definitely the dominant character in that Royal Family as her husband the king (Milo Twomey) barely has a word in the whole film.

The script is where the movie falls down. Characterisation beyond Elodie is next-to-non-existant. The plot barely makes any sense. Who made the pact between the dragon and Royals? Why is it even there? The Dragon has no issue leaving the cave so why doesn’t it just pop out one day and blast the city away? The whole "getting girls into the cave for the Dragon" just seems an elaborate plan for no real pay-off. Surely word would have gotten around from other countries that women keep marrying the Prince and disappearing! Something happens in the film between Isabelle and Elodie’s sister Floria (Brooke Carter) that makes the whole scheme pointless. Why didn’t they just do that from the outset?

Overall, the movie isn’t terrible and is a decent enough fantasy flick, if you're not expecting anything too much. It’s probably a bit too scary for young viewers, though

Year: 2024

Rating: 6/10

Availability: at the time of writing, streaming on Netflix

Have You Been Watching...? Slotherhouse (2023)

 

The comedy horror is a tough act to pull off. For every “Gremlins”, there’s a “Slaughterhouse Rulez”, for every “It Follows”, there’s a “The Stairs”. Some low budget horror movies come up with a witty premise but then squander it with poor acting, effects and script. They fail to make the most of their premise. Cocaine Bear is a case in point. It could have been totally hilarious.

Slotherhouse (yes, it’s a play on the word “slaughterhouse” so you get where this is going from the outset) is a case of “it knows exactly what it is and plays on it”.

Set in a sorority house, Emily Young wants to be elected President. However, mean girl and reigning Queen Bee wants to remain president and has no intention of losing her crown to Emily. Trying to increase her social standing, she adopts a sloth from an exotic pet collector, who had previously collected it from its home in the Panama Rainforest.  The cute little critter starts winning over the girls and Emily becomes a favourite to win. However, in between the scheming and shenanigans of sorority politics, all is not well with our little sloth, who has been named “Alpha”. Unbeknownst to Emily, Alpha has already done away with a large crocodile and the exotic pet owner. Alpha now moves on to the girls of the Sorority house.

I don’t want to spoil things for you, but just sit back and enjoy this one. In increasingly insane and creative ways, Alpha sets about dispatching the girls. Alpha also seems to settle into 21^st century life very well which culminates in the utterly bonkers sight of a sloth taking a selfie with it’s next victim.

This movie is HILARIOUS from start to finish. It's so refreshing to see a movie be this bananas and not shy away from the ridiculousness of its premise. Alpha is as cute as a button, but even cuter when it becomes a psychotic teddy bear with razor sharp claws. One of the characters even comments that its like a cute Chucky (referencing the Childs Play franchise about a killer doll).  Just wallow and enjoy the spectacle.

The story is by Bradley Fowler and Cady Lanigan, both writers and actors who make appearances in the movie, and directed by Matthew Goodhue (who has directed and written a number of short movies). I’m not familiar with any of their previous works, but if this is evidence of what they are capable of, then they should do well in the future. 

The cast is headed by Lisa Ambalavanar (Emily) an English actress known for Teen Scifi series “Titans” and afternoon medical soap “Doctors” no less! Other names you might recognise are Sydney Craven as Brianna. She is another English actress known for teen werewolf drama Wolfblood and Evening market soap “Eastenders". Stefan Kapicic plays Oliver and he is best known to me as the voice of Collossus in Deadpool 1&2, and rounding off the more familiar faces is Tiuff Stevenson, from BBC comedies Gameface and White Gold. They, and the rest of the cast, are so tuned into this bizarre movie that none come across as simply playing this for the pay cheque, they are totally believable and having a great time!

This movie deserves to be one of those Halloween classics that gets put on every year. It truly is the perfect mix of horror and humour. You'll enjoy this one! (I hope)

 

Year; 2023

Rating 7/10

Availability, streaming on the isual platforms

Have You Been Watching...? Project Gemini (2023)

Picture this. It’s the dawn of 2023. The morning after the night before. I’m hunting on the apps for a sci-fi movie. I’m in the mood for aliens, spaceships, planets…the works! Every Time I see one that appeals, I’ve seen it before. I want something new. I stumble across Project Gemini… The trailer looked good, so do the effects, so I take the leap…

It turns out Project Gemini is a Russian production (not a problem, I didn’t mind “Attraction” and its sequel “Invasion” from a couple of years ago), and the main cast are also Russian, but speaking English with American accents. Further research indicates this is not quite true, the movie was allegedly filmed in English, then re-dubbed which is why the voices don’t seem to match. How true this is, I have no idea.

The plot of Project Gemini “borrows” heavily from a lot of mainstream popular sci-fi movies. You will find the Alien franchise’s shadow hangs heavy over the production, including the prequel “Prometheus”, but there are a number of great ideas in this movie, it just somehow doesn’t manage to pull them off. Warning: Spoilers aplenty coming up.

In the near future, a virus is wiping out plant life on planet Earth, causing serious problems for the population. Everyone pins their hopes on an expedition to terraform another planet. All of this I relayed in the exposition-laden introduction to the film. The godsend technology that allows this turns out to have been an alien sphere found in a cave that is approximately 4 billion years old. In an instant, it’s believed to have terraformed the Earth and they believe that the sphere can do it again on another world.

A crack team of bland, characterless astronauts are assembled to deliver the payload on a recently discovered world imaginatively called “Tess”. En route to the new world, the sphere somehow activates and releases a lifeform which damages the ship as it is in mid-wormhole (or something). The ship exits the wormhole in an uncharted area of space. Unaware of their stowaway, the crew decide to land on the new planet and continue the mission anyway.

As the movie unfolds we are “treated” to flashbacks, which confuse matters even more, yet still add no characterisation to the crew. In true “alien” style, there are a number of quite literally pointless deaths. There’s also the standard crew member that gets infected by the alien (despite this not happening to anyone else). The alien itself is a clear Xenomorph rip-off. It all turns out in a bizarre twist that is signposted from the opening scenes, that the ship has not travelled in space, but 4 billion years into the past. Yes, the sphere they want to create the new world, is the same sphere that spawned life on earth. What any of this has to do with a Xenomorph killing everyone is anyone’s guess.

The script, the action and the acting is very poor. What saves this movie is the effects and sets. The caves were apparently filmed in Kazakhstan, and it makes a lovely exotic and alien set-piece. What IS outstanding, is the special effects work. It is truly staggering and it seems the effects and the rest of the movie are two different films jammed together. The CGI is wonderful to watch. The downside being that one wishes the effects were married to a much better film in the studio scenes.

I love films that want to “have a go” and create something good that can give the megastudios a run for their money. This could easily have been one of them. Maybe it’s a “lost in translation” script, could a subtitled version work better? We will never know.  This just isn’t the film to do the CGI justice. It’s a tidy 100 mins long, so it’s not a massive chunk of time to waste if you want to give the film a go yourself. 

Trust me, the spoilers above are only part of the revelations of the film, so its not ruined if you’ve read this far.

YEAR: 2022

RATING: 3/10

AVAILABILITY: currently available to rent or buy from the usual online retailers.

 

Have You Been Watching...? Black Crab (2022)

 

Black Crab (or Svart Krabba in its original language) is a Swedish action movie currently at the time of writing, available on Netflix. It has some good pedigree, not least it’s lead actor, Noomi Rapace, whom English language movie-goers will recognise as Dr Elizabeth Shaw from Alien prequel “Prometheus”, as well as appearing in Sherlock Holmes: A Game of Shadows, and all three movies in the “Girl with a dragon tattoo” series. It also features Aliette Opheim from Icelandic mystery thriller “Katla” (also available on Netflix) and Norwegian actor Jakob Oftebro (whom I was pleasantly surprised to see, while researching, that he starred in a movie called Max Manus!). The movie’s director is Adam Berg, who along with producing Amazon Prime’s Tales from the Loop series, appears to have directed numerous pop videos.

The trailer and promotion for this movie is what drew me. An apocalyptic movie, involving a rag-tag team on a mission to save the day. Now, maybe I’m sick and twisted, but I do love a good apocalypse movie. I like a bit of spectacle and the world falling to bits.

This is not that kind of movie. The story opens up with Rapace’s character, Caroline Edh, in a car, in a tunnel with her young daughter, when what appears to be a marauding terrorist incident takes place. Edh remains in the rear of the car, with the daughter, when one of the gunmen smashes the window and it all goes dark.

Fast forward what is clearly a number of years, but Edh still looks the same. She is hauled from a train by soldiers and ordered to some military compound.  She is escorted by a captain, Nylund, who makes a stop in a village of sorts, and exits the vehicle. For some reason Edh gets out and into a fight with the population, resulting in her stealing the car and making for the compound without Nylund. There she is informed she and a small group are to transport a package across a frozen “Archiepelago”. Edh is told that her daughter has been found in a refugee camp and she can be reunited with her once the mission is complete.

I found myself with more and more questions as the film went on. Why choose Edh? What’s her speciality that makes her an ideal candidate to join the group on the ice? Was she a champion ice skater before the war? (I’ve since read a review that says she’s a speed skater). Oh yes, there appears to be a war. The enemy is never made explicit. Who are they? Why have they waged war? Unfortunately, it seems to be a story for story’s sake. Equally unfortunately, none of it makes any sense whatsoever. After watching numerous escapades on the ice, and yes like any other quest movie, some of them die on the way, the story then takes a bizarre turn. After receiving some news she’d rather not have received, Edh makes a decision that makes the whole story pointless.

I felt very disappointed and underwhelmed by the story’s conclusion. With a running time of almost 2 hours, it’s hard not to feel frustrated. It’s not all awful though. The CGI is very good on occasions and some of the gore is rather good too. I also liked the music, by a group calling themselves “dead people”. However, it’s too little to save this movie and I would not recommend it. The movie didn’t thrill me and I couldn’t have cared less for the characters (I was going to say I didn’t warm to them, but that sounded a cheap joke!).

Year – 2022

Availability – Netflix (various language and subtitle options)

HYBW movie rating – 4/10

Have You Been Watching...? There's Something In The Barn (2023)

At Christmas time, there's something naughty and mischievous about watching a Christmas themed horror/monster movie. As a boy I adored the Gremlins movies. Recently, I quite enjoyed the Adam Scott starring "Krampus" movie and the Norwegian entry "Rare Exports: A Christmas Story". This new entry "There's something in the barn" is as close to Gremlins as you will get for the time being.

The movie centers around the Norwegian myth of Barn elves, little elves that will look after you as long as you;re good to them and follow their rules (yes, there are rules too!) These include no bright lights and no loud music. So, into our story come the Nordheim family. They're American of Norwegian descent, and so, when one of the family dies they are left their house in Gudbrandsdalen. Arriving at Christmastime, it doesn't take long for the loud Americans to fall foul of the rules of the barn elves, which then leads to all out war!

Martin Starr (Roger Harrington in the MCU movies) takes on the role of Bill Nordheim, the dad of the family and enthusiastic for the family's move there. Amrita Acharia (from ITV's Good Karma Hospital) plays the mother, Carol with Zoe Winther-Hansen and Townes Bunner as the kids Nora and Lucas respectively. Lucas finds out about the barn elf quite early on and does his best to abide by the rules, but his family don't believe him at all. Henriette Steenstrup, a Norwegian actress probably best known abroad for the Netflix series Ragnarok, is an absolute scene stealer in her role as the local police officer. 

In true Gremlins style, the horror is probably a little too adult for the little ones and there is a good amount of gore in this movie Fortunately, there is also a great amount of comedy, not just from the war against the elves, but from the culture clash of the brash Americans and the reserved Norwegians.

We have been missing this kind of quirky Christmas horror for a while. Setting the movie in Norway is a masterstroke, not least because of the folklore, but because the scenery and the snow covered locations are just wonderful , and it's nice to see a movie set somewhere different.  The movie is directed by Magnus Martens, who genre fans may know from Fear the Walking Dead and it's written by Aleksander Kirkwood Brown, who has written previous Norwegian movies about their folklore, so the pedigree for this movie is good!

The cast do their best with the material, but this ain't Shakespeare. We are in it for the Elves and they don't disappoint. So strap yours"elves"  in and get ready for a very enjoyable riot! 

Year: 2022

Rating 8/10

Availability: from online digital retailers

Have You Been Watching...? Rebel Moon - Part 1: A Child Of Fire (2023)

 

On a recent flight, I'd read in a magazine that writer and director Zack Snyder (Justice League) had pitched the idea of his Rebel Moon movies as “Game of Thrones in Space”. Now, I quite liked Game of Thrones, but the idea of investing so much time into another franchise didn’t appeal, but I’ve liked his other work and wanted to give this new Sci-Fi adventure a go. The script for the movie was co-written by Snyder with Kurt Johnstad ("300") and Shay Hatten (Army of the Dead, John Wick 3) and directed by Snyder. 

As it’s a relatively new movie so I will try not to be too spoiler-ific.

Our story opens with a narration explaining how there is a Motherworld, and when it’s King and Queen are assassinated, a prince regent steals the throne while everyone else is bickering. A revolution begins, and the empire (oops!) tries to stamp it out. Our story then moves to a small farming village on the planet Veldt. It is visited by a group from the Empire in their Dreadnaught ship The Kings Gaze, under the command of General Atticus Noble (Ed Skrein from Deadpool and Tau) wanting grain to feed their army as they hunt the revolutionaries. One thing leads to another and our hero, Kora (Sofia Boutella from Kingsman The Secret Service and Star Trek Beyond) who is secretly an ex-member of the empire, sets off to create an army capable of protecting the village from the Empire.

It's very much a space saga, but Game of Thrones it is not. In fact, plot wise, it’s less Star Wars and more Battle Beyond The Stars. I fail to understand why a Dreadnaught ship arrives and threatens a simple village, when there is a whole city called Providence on Veldt which would make more sense. Despite all the tech on show in the movie, everyone and everything is dirty. There are no bright whites and sleek lines in this universe. Even Star Wars had a mixture of the two, but by the end of this one, I’m fed up of the dirt and grime.

Much must be said of the universe building in this movie. Great strides are made with diversity and a mix of accents giving real credence to different cultures, although the less said of Charlie Hunnam’s (as Kai) dreadful Northern Irish accent. I can't understand why he didn’t just use his natural Geordie accent.

Kora's ragtag bunch of revolutionaries are gathered together much too quickly and with little backstory provided to any, it’s hard to feel anything for them. The only characters that feel developed with genuine motivation are Kora and Noble, and bizarrely, Kora’s fellow villager Gunnar (Michiel Huisman from World War Z and the Haunting of Hill House). The others just feel like they’re along for the ride and each are introduced in various little scenarios. Some of these don’t even make a lot of sense, particularly Tarak (Staz Nair from Game of Thrones and Supergirl), he has a special ability, but I had to go online to understand why this was a thing in the movie. Maybe it’ll be apparent in part two. Given the clear drive to be a new Star Wars type saga, the lack of a robot crewmember is apparent, especially as a prime candidate “Jimmy” is introduced early on, voice by Oscar winner Anthony Hopkins. Other unanswered questions include why they think a small army can take on the dreadnaught ship? Even if they did win, they’re fighting an empire who would just send another.

Unfortunately, it’s so formulaic that it feels like there is nothing new here. Yes, it’s nice to see a new Sci Fi big budget movie, but it just makes me want to watch Star Wars. Maybe things will change in Part 2, but this leads to another disappointment. We know from the outset that this is part one, so we expect a cliffhanger and plots not to be resolved by the end. This robs the viewer of any sense of peril for our band of heroes.

Further reading indicates there will be more sequels. While the name Rebel Moon sounds cool, what happens after the moon is “liberated”? Will there be more moons to liberate? I think the beginnings of something good are here, but I wonder if it will become something more, with its own identity.

Snyder has also commented that there is a more adult orientated “R” rated extended version to come out later. This could be the road forward for this franchise. Even in its Netflix edited form, its hard to tell who the movie is aimed at. It’s too formulaic for discerning sci-fi fans and too adult for children (there is one particular scene where the baddies discussing deflowering a young woman which is unpleasant but definitely shows us how bad the baddies are, and there are moments of bad language).

Overall, the movie is not a bad watch and enjoyable enough as a yarn. I certainly want to see part two.

Year: 2023

Availability: Streaming on Netflix at the time of writing

Rating 7/10

Have You Been Watching...? Leave The World Behind (2023)

 

Leave The World Behind is a 2023 disaster movie from Netflix, with a “Big Name” cast including Oscar-winners Julia Roberts (Erin Brokovich, Pretty Woman) and Maherasha Ali (Moonlight, The 4400) and Oscar-Nominee Ethan Hawke (Gattaca, Boyhood, Training Day) and co-starring Myha’la (Bodies, Bodies, Bodies) and the legendary Kevin Bacon (Tremors, Footloose). It's based on a 2020 thriller novel by Rumaan Alam. As you will know by now, I do like my disaster movies, so this was a definite go-to upon release. The movie is already one of Netflix’s highest performers at the time of writing, but also one of the most controversial with a very low appreciation rating in review sites such as Rotten Tomatoes. Is it as bad as some people are saying? Can the movie live up to the hype? Read on, dear reader….

The plot begins straight-forwardly enough. Roberts and Hawke portray middle-aged married couple Amanda and Clay Sanford who, with their two children Rose and Archie, go on a spur-of-the-moment getaway to a rental house in Long Island, New York. The reason for this break isn’t really given, other than, as Amanda states before the titles, she hates people. Rose, the youngest of the two children, is addicted to the old 90s sitcom “Friends”, and this plays an unusually large role in the film so you know it’s going to mean something at some point. Archie is a stereotypical young teenage male with little time for his sibling. The house they stay in is a sleek, modern affair with a pool which backs onto woods populated by deer and conveniently near a beach. So far, so idyllic.

The family spend a nice day at the beach when a large oil tanker comes aground. Heading back to the house, they find the TV and wifi no longer work. With no internet, Rose is about to miss the series finale of Friends, which is distressing her, even thought its already older than she probably is. Matters get more complicated when a man claiming to be the house owner (Ali, playing George H Scott)) arrives with his daughter, wanting to stay the night as a blackout has caused getting to his own home more complicated. Amanda is instantly suspicious while Clay seems more accommodating. More layers are piled onto the plot as it begins to appear Amanda doesn’t like the Scotts as they are black. Is Amanda racist? It certainly adds an uncomfortable aspect to an already uncomfortable situation. Amanda later receives messages on her phone claiming hackers have caused the blackout but before she can tell anyone, the messages vanish. Seeking more information, George ventures to a friends house only to find the remains of a crashed aircraft and before his eyes, another plunges into the beach.

As more and more unsettling situations arise, relationships are formed and relationships are strained. Clues are found but there is doubt as to whether they can be relied upon. At times of extreme crisis, who can be trusted entirely?

This, then, leads to the controversial finale, which I will not spoil for you. The novel the movie is based on ends with the discovery of a bunker and some hope for the families. The movie’s ending has the “possibility” of similar hope, but the final moments allows the viewer to determine what is more important to whom? Is everyone able to sing off the same hymn sheet at such times? The viewer doesn’t receive all the answers and some is left to interpretation. This works for some movies and not so well for others. I feel the latter applies here. It’s a lengthy movie but to be rewarded with no definitive answer feels more like a cop-put than a planned ending. Sometimes, when I watch a movie, I want to see the story, not given about 98% and having to make the rest up myself. I watch movies and TV to be entertained.

The movie is NOT bad, it just doesn’t do enough to warrant a glowing review. The cast ARE great and immensely watchable. The direction is solid from Sam Esmail (although he did the screenplay too so can take some responsibility for naff ending). One of the major downsides to the movie is the overuse of pop music as at times, it feels like a non-stop pop video. This is mostly apparent at the beginning but calms down as the movie progresses.

With a run-time of 141 minutes, it doesn’t outstay it’s welcome and there is still plenty to entertain. However, with the absolute final moments, I can understand the poor reviews.

Year: 2023

Availability: Streaming on Netflix

Rating: 7/10